I’ve been watching Millennium on DVD
and I’m up to season 2. I saw bits of it when it was on TV back in 1996 but I
missed too much to have any real concept of what was going on. (imdb)
It was a Chris Carter production;
the same guy that made the X files and it is very well written.
The main character is Frank Black
played by Lance Henriksen. I could listen to him talk for hours, I tell you. As
I was watching, Kid 2 walked past, stopped, reversed, listened for a minute and
made some comment about his amazing voice.
Carter has said that he wrote it
with Lance in mind. For him, there was no other actor to play the lead.
Frank works as a profiler for a
shadowy organisation that is dealing with an increase in odd crimes as the
earth counts down the days to the end of the world; the turn of the millennium
and the beginning of the year 2000. The purists will tell you that the actual
turn of the millennium is the end of the year 2000, not the start. Ten is in
the last decade not the first year of the next; that would be eleven. The
Groups’ symbol is the ouroboros; the snake that eats itself and each time he
turns on his computer the symbol displays and tells him how many days are left.
Back then, people really thought
terrible things were going to happen. The Y2K bug was supposed to make all
computers fail. I was living in a third world country at the time and the
company made us go home, just in case they couldn’t get us out if they needed
to. Believe me, we got evacuated every year for one reason or another so they
were right to be concerned. But they would not listen to us tell them that it
wasn’t computerised enough to have an issue. Hey, free holiday for us!
But in any case, Frank Black is
some kind of psychic.
He touches things and gets
messages in a flash of vision or insight. At first, we aren’t sure whether it
is just an observation and logic process a la Sherlock Holmes, or if he has a
gift. Once we see his daughter has it, too, we know it isn’t logic.
Will Graham, the Thomas Harris
character, does it on Hannibal or its earlier versions like the movie Red
Dragon. And in another Danish show that I watch, Unit 1 (Rejseholdet), one of
the detectives, Thomas La Cour, does the same thing. Leaps of intuition that
seem to come from nowhere when they mystically channel the victim or the
perpetrator. Often, they know so much they are suspected of the crime.
I guess as writers, it allows you
to cheat a little.
Provided that your viewers believe
your character can do it, it will
work.
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